![]() ![]() Not only because of the high-quality MC-sampler as part of the SuperPack, the X8 definitely sounds like a higher class, namely emphatically clear and orderly, colourful as well as dynamically on the point.Thus, Pro-Ject’s “balancing act” turns out to be a high-class and risk-free feat on the high wire of analogue technology.Here, too, the reproduction had more air, expansion and natural swing when XLR connections were used. The duo revealed itself in a mixture of relaxed, laid-back pose and delicate fine-tuning of the colour shades as well as in the equally discreet and concise flickering of the strings of the track aiming directly at the mind.Guitar strings glisten like dewdrops in the sun and synthesizer clouds hang like wisps of mist in front of the listener, seem freed from a certain constriction, breathe a sigh of relief, so to speak, when the 9CC EVO, especially stiff and adjustable in every direction carbon tonearm was connected to the DS3 B via XLR cable.You get the feeling while listening, and I rarely write this, very close to the majestic sound of a master tape. The Pro-Ject X8 draws its power from its simple, but massive and precise drive.In any case, you won’t hear the Quintet Blue as cleanly and with as little distortion as in the 9cc Evo almost anywhere.If you own one of the new balanced phono stages, you can swap the cabling to balanced XLR cables in no time at all.Rock solid defined pitch, undisturbed stable decay, a very powerful, but at the same time agile bass.We are impressed by the powerful, quiet flow of this player. ![]() In other words, the entire turntable powertrain.
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